Book Log: Where am I Now?
Oct. 15th, 2025 03:14 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
scaramoucheI must've gotten Mara Wilson's memoir Where Am I Now?: True Stories of Girlhood and Accidental Fame during one of my trips to UK, because it has a price tag in pounds, but heck if I can remember when. What I do remember is that I put the book at the back of the drawer because I was annoyed and/or upset at her for something she'd said online. I no longer remember what it was! So I suppose it's time to be reading.
There is a feeling at the start that Wilson was way too young to be writing a memoir, but upon reading it it does make sense, because the bulk is about her time as a child actress and the fallout of that into the neuroses of teenhood and young adulthood. And going through that same thing we all do, where in growing up we become conscious of certain kinds of privilege we don't have and having to reckon with that, except Wilson's realization of the importance of looking traditionally pretty isn't just about trying to fit in and get friends, but also to get acting work. (Ow.) She namechecks as specific examples her peers Kristen Stewart and Scarlett Johansson who beat her to roles and did get to make the transition to acting adults, and her raw frustration that this was not something she could balance out with talent.
Tangled up in that is the intense celebrity-adjacent subculture of growing up in Burbank, California surrounded by peers who want to "make it" into the business and thus have feelings about those who do when they do not. Mean girl culture in a greater Hollywood setting, baby! (Ooofff.) This is probably the most fascinating section of the book to me, of how that world warps the expectations of children and teenagers who feel they're in the pipeline to showbiz greatness. Also, by her reckoning, there's lore than the Californian school subculture of show choirs that she participated in was what inspired Ryan Murphy to make Glee, though that may be more guesswork than cold hard facts.
Wilson specifically lived through some rough times (including the early death of her mother), but she got out of showbiz with relatively less trauma than other child actors, but it's still only other child actors who could understand what it was like to grow up in that environment and have so much of your personality and looks dissected by people who don't know you. Also, to have creepers think it's fun to ask a child questions about mature topics they haven't yet grappled with. Toxic and sadly familiar.
There is a feeling at the start that Wilson was way too young to be writing a memoir, but upon reading it it does make sense, because the bulk is about her time as a child actress and the fallout of that into the neuroses of teenhood and young adulthood. And going through that same thing we all do, where in growing up we become conscious of certain kinds of privilege we don't have and having to reckon with that, except Wilson's realization of the importance of looking traditionally pretty isn't just about trying to fit in and get friends, but also to get acting work. (Ow.) She namechecks as specific examples her peers Kristen Stewart and Scarlett Johansson who beat her to roles and did get to make the transition to acting adults, and her raw frustration that this was not something she could balance out with talent.
Tangled up in that is the intense celebrity-adjacent subculture of growing up in Burbank, California surrounded by peers who want to "make it" into the business and thus have feelings about those who do when they do not. Mean girl culture in a greater Hollywood setting, baby! (Ooofff.) This is probably the most fascinating section of the book to me, of how that world warps the expectations of children and teenagers who feel they're in the pipeline to showbiz greatness. Also, by her reckoning, there's lore than the Californian school subculture of show choirs that she participated in was what inspired Ryan Murphy to make Glee, though that may be more guesswork than cold hard facts.
Wilson specifically lived through some rough times (including the early death of her mother), but she got out of showbiz with relatively less trauma than other child actors, but it's still only other child actors who could understand what it was like to grow up in that environment and have so much of your personality and looks dissected by people who don't know you. Also, to have creepers think it's fun to ask a child questions about mature topics they haven't yet grappled with. Toxic and sadly familiar.
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